Sue Morris

Almost everyone I talk to these days has either ridden in a Freestyle to Music class or wants to! And, it’s not exactly a new idea, either. The old Court Schools in Europe used to stage elaborate Carousels in which they demonstrated their skills in horsemanship. They would often end with an equestrian ballet; a telling of a story set to music.

Perhaps you are thinking of giving it go because at first glance it looks a lot more fun than riding exactly the same movements at the same markers as everyone else in the class. However, whilst there is no doubting that it certainly is fun, there is also an incredible amount of work that goes into producing a polished performance - and I’m not just talking about those you see at International GP level. The same amount of time and thought should go into an unaffiliated Riding Club level class as goes into the top riders’ routines.

The Test

The Freestyle to Music classes are marked differently to a normal dressage class. Rather like ice skating half the marks come from Technical Execution and the other half from Artistic Interpretation.

For each test there are a list of compulsory movements that must be shown and their minimum length. For example, in the Novice Freestyle test you must show a minimum of 20m in medium walk and 20m in free walk on a long rein. You also have to show a 15m circle to the left and right in working trot and a 20m circle on each rein in canter. Some medium trot strides should also be shown.

Now, that doesn’t mean you have to devise a test that shows only these movements. You may use any of the movements allowed in Novice or Prelim tests. So, you may use the counter canter, the half 15m circle and return, and even a rein back. That half 10m circle can come in handy when you need to turn down the centre line to nail your final halt on the right beat! You will not be scored on the extra movements, but they can help to vary and enhance your routine and to give it more artistic merit.

Using movements of a higher level, a 15m canter circle or a direct walk to canter transition from the Elementary tests, will incur a points deduction, however.

Note also that the instruction says a minimum of 20m free and medium walk. You can do more than that and, as a rule, each movement may be repeated up to three times to improve your chance of getting the best possible mark.

The test does not have to be a mirror image on the left and right rein, but do aim for a good balance on both reins.

If you really don’t have the time or inclination to do all the work yourself, there are several companies who will take care of finding and fitting the right music to your horse’s gaits, and some will even do the choreography too! However, should you wish to do it yourself...

Finding the Beats Per Minute

Despite all the new technology the old fashioned way with a second hand on a watch and counting the footfalls is the simplest and easiest way to work out your horse’s BPM. As soon as the hand passes 12 start counting each time one of his hooves hits the ground. (It should really be a hind foot, as this is what the judges are told to look at.) Count for 30 seconds, then all you need to do is double the count for a minute and you’ve got your BPM. It works effectively in all three gaits and is much less fiddly than keep trying to set a digital or manual metronome. The digital ones are so accurate that it can be quite difficult to get a decent reading for your horse as their steps are never really that metronomic and the physical counting takes any very minor irregularities into account in the way a digital metronome can’t.

However, a metronome (digital or manual) will come in handy for when you’re trying to find music to match the BPM.

If the idea trying to fit BPM to pieces of music gives you brain fade, another way of approaching it is to get someone to film you riding your horse in walk, trot and canter, and then as you watch the film back, play music you think might fit. You’ll begin to get a feel for the type that will, but don’t forget to see what your horse thinks of it! Seriously, you might think you’ve found the best Freestyle music in the world but when you ride your horse to it you find that he isn’t quite as enamoured with it as you are. Maybe he just can’t find the same beat that you saw – and ask friends what they think, too. It may be that the style of music doesn’t quite match your horse.

If you’re thinking this all seems a lot of very hard work, you’re partly right. That was actually the relatively easy part. The hard part comes next - the matching of the music to the BPM. You may opt to ride Freestyle test with Music, as in finding general background music that isn’t matched exactly to the horse’s footfalls. This isn’t very inspiring to watch and it won’t be scored very highly either! I believe it is worth taking all that extra time as the end result - of Dressage to Music - is so much more pleasing.

Do spare a thought for the judge. If a piece of music is very popular, be aware that others will use it too. How many times, do you think a judge wants to hear Glen Miller, for example, in one competition!

I have a vast collection of CDs in my music library, many picked up at car boot sales and charity shops for a £1 or less. There is also an unlimited collection available to download online, too.

Now, unless you’re a very artistic sort of person, it is much easier to do the choreography and then find the music to fit it than it is to find the music and then design a routine around it.

So, you have you horse’s BPMs and you can now set to work on finding the music to match his strides, style and personality. Whilst light, airy pieces will suit a TB or an Arab, they would not do for a chunky Cob.

Do you want to go for a theme; music from a stage show or Western films or would you prefer a style of music; jazz, swing, baroque? Do not be tempted to mix and match; find a theme or style and stick with it!

The general rule is for three different pieces of music for the walk, trot and canter. Be careful not to make any abrupt changes between them. Using fading in and out can help smooth the transitions up and down, unless you know you can really ride them to the music.

Check the minimum and maximum time allowed for your test. 4 mins min, 5 mins max for Novice, and aim to run the midway point of 4.30 to allow for slightly slower or quicker playback on other machines, and differences in going.

The actual test is timed between the move off from your first halt to the salute at the end of the test. You can - and I recommend it - have up to 20 seconds of music to make your entry to. This can be a great attention grabber as it can be humorous, playful or just a great emphasiser of your horse’s trot rhythm. Just make sure you’re in the right place get to your first halt at the correct moment when you signal the person who is going to start your music. Leave a gap of however many seconds you need to make your salute and regather your reins and then, off you go!

You must chose music that you really like because you are going to have to listen to it endlessly and know it inside out. As the test is not ridden to the markers, you have to know where all the nuances are for all the movements in your choreography - and for those times when you either fluff something and have to make an addition on the fly or you need to gain ground to get to the next movement at the right phrase in the music.

Design your routine so that it builds to a climax at the final salute. This gives a much better impression that one that looks like it fizzled out due to lack of ideas.

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Copyright © Sue Morris 1998-2010